
In the middle of 1970, I was 15 years old and a budding comic book critic who spent (probably too) much time writing letters to the editor. One of my favorite artists —then and now —Neal Adams, was rendering groundbreaking illustrations for DC Comics, especially in stories featuring Batman.
Detective Comics No. 403 was one of the comics that sent me to the typewriter in praise of Adams’ work.
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Click for legible image of the Detective Comics 407 letters page |
“The Neal Adams cover was a typically excellent Adams job. But, as so many of Neal’s covers have been, this one’s effectiveness was (at least) halved by those ever-present, ever-ugly word balloons. Allow me to register my dissatisfaction with the present Detective logo. It’s too cluttered and bulky.”A snotty kid, huh? (But I was ahead of my time. You just don’t see a lot of word balloons on comics covers nowadays.)
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Neal Adams, March 18, 2016 |
Through the player at the bottom of this post, completists can hear the almost-raw audio of the Adams interview—minus interruptions by fans requesting (and paying for) autographs. (I bought and asked him to autograph a collected edition of what he says is one of his favorite works, Batman: Odyssey.)
Note: In that 1970 fan letter, I was unduly tough on the great Dennis O’Neil and the late Frank Robbins, both of whom did outstanding work over the years. Did I mention I was 15?
Also note: Comic book letters pages were an incubator for creative talent. Also in that issue were letters from future comics (and other media) pros Arlen Schumer, Alan Brennert and Clem Robins.
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Click for legible image of letters from Schumer and Brennert |
Also note: Comic book letters pages were an incubator for creative talent. Also in that issue were letters from future comics (and other media) pros Arlen Schumer, Alan Brennert and Clem Robins.
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